Fujifilm’s new 102-megapixel digicam is the scale of a typical DSLR

Due to its dimension and weight, you would not guess there was a medium format sensor inside. (Fujifilm/)

Again in 2019, Fujifilm launched its first entry into the 100-megapixel medium format digicam house. The GFX 100 was a beastly, $10,000 physique with an built-in grip-style physique related to a professional DSLR like Canon’s 1D X Mark III or Nikon’s D6. This week, nonetheless, the corporate took some huge steps towards making high-res medium format extra accessible with the GFX 100S. It boasts a 44 x 33mm (that’s bigger than full-frame) sensor with a 102-megapixel decision, however the fee has dropped to $6,000—and the digicam is definitely smaller than some full-frame mirrorless fashions on the market.

The shape issue is just like the GFX 50S, which doesn’t have the built-in grip. That brings the GFX 100S’s weight down to simply below two kilos, which is roughly a 3rd of a pound heavier than Canon’s R5 mirrorless digicam. From a quantity standpoint, the GFX 100S is barely smaller than Panasonic’s S1R, regardless of the Fujifilm’s bigger sensor.

Technical specs

The 102-megapixel sensor contained in the GFX 100S is identical one that you just’ll discover within the earlier, bulkier GFX 100. It makes use of Fujifilm’s bigger-than-full-frame G format, which isn’t fairly as massive because the medium format sensors present in different high-end rigs made by firms like Part One.

That sensor now sits in a picture stabilization system that guarantees as much as 6 stops of shake discount. Mixed with a physique that’s a lot lighter than its chunky older sibling, that ought to make it less complicated to get sharp pictures when capturing from a tripod. As a result of the stabilization strikes the sensor contained in the physique, it additionally allows a high-resolution capturing mode that mixes a number of pictures captured with the sensor in numerous positions to create a 400-megapixel picture with absurd ranges of decision.

In regular capturing modes, the GFX 100S can seize as much as 5 frames per second, recording to a pair of UHS-II SD card slots. It makes use of the identical battery because the X-T4 mirrorless digicam, and Fujifilm claims it should get a formidable 460 pictures on a single cost—however that may clearly differ relying on how a lot you employ the display and the capturing modes you select.

Viewfinder

The unique GFX system, which debuted again in 2016, had a modular viewfinder that would flip up relying on the way you most well-liked to carry the digicam. In an effort to make the brand new physique smaller, the three.69-million dot OLED finder is fastened in place. Shooters can select whether or not they want to optimize the finder for element by maximizing the decision or cranking up the refresh charge in an effort to get smoother movement when composing pictures. The three.2-inch touchscreen on the again has two-axis tilt and a 2.36 million dot decision, which is nothing out of the bizarre.

Video mode

It’s unlikely many individuals are shopping for this digicam primarily to shoot video, however Fujifilm has made some enhancements to its motion-shooting functionality. It could pull down 4K footage at 30 fps and ship as much as 12-bit uncooked footage to an exterior recorder by way of onboard HDMI. Which will appear relatively paltry in comparison with the 8K ambitions of cameras just like the Sony Alpha 1 and Canon’s R5, however these are a lot completely different cameras. If you wish to shoot lots of video, don’t purchase a 100-megapixel medium format digicam.

How does it stack up in opposition to its competitors?

Due to the timing and the value, the GFX 100S has already drawn some early comparisons to the Sony Alpha 1, however they’re two very completely different cameras. The Sony checks in at a considerable 50-megapixels, however its bigger emphasis is on velocity: It could shoot 30 full-res pictures per second for as much as roughly 150 whole frames, which makes it succesful in quick motion conditions like sporting occasions. With its 5 fps framerate and big recordsdata, the GFX 100S is better-suited for industrial and portrait photographers.

That bigger sensor and better decision do turn out to be useful for creating a particular look, nonetheless. The GFX 100S could have extra pronounced depth of subject results, and the tremendous high-resolution permits shooters to make the most of the middle of the body and crop later, which takes benefit of the lens’s sharpest space.

In comparison with the outdated GFX 100, the 100S appears far more viable for wedding ceremony and different sorts of portrait images, which require holding a digicam for lengthy durations of time. The 100S is greater than a full pound lighter than the 3-pound GFX 100, which is a big distinction if you’re attempting to not destroy your wrists and forearms.

GF80mm f/1.7 lens

Along with its new physique, Fujifilm has additionally introduced a brand new quick portrait lens to go along with it. The GF80mm f/1.7 has the identical subject of view as a 63mm lens on a full-frame digicam. That quick aperture mixed with a 9-blade aperture ought to create some extraordinarily easy blur results in out-of-focus areas. It has 12 parts in 9 teams and it weighs roughly 1.7 kilos.

It’s not low-cost—you possibly can anticipate to shell out $2,229 for it when it hits the market, however that’s the best way of the high-end lens world. That’s the identical worth as Canon’s full-frame 50mm f/1.2 RF lens, which doesn’t must cowl as massive of a sensor.

Search for each the GF80mm f1.7 and the GFX 100S to begin transport within the subsequent few months.

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